SOLO
Pulsations (2021), prepared violin, open duration (min. 14′)
commissioned by Music We’d Like to Hear for Mira Benjamin (RVW Trust)
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flare (2021), piano, 7′
written for Ben Smith
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flicker (2020), piano, 5′
written for Benjamin Powell on Psappha’s Composing For Piano scheme 2019/20
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Clusters (2020), singing violist, 6′
commissioned by Katherine Clarke
remnants (2018), cello, 6′
written for Natasha Zielazinski
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SMALL ENSEMBLE
Overlapping Transformations (2022), violin, bass clarinet, baritone electric guitar, double bass, open duration (min. 5′)
commissioned by Prague Quiet Music Collective for ‘Five Uncertain Situations’ (with Prague City Gallery)
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slowly, turning (2022), Paetzold contrabass recorder and accordion, 5’30”
commissioned by Tabea Debus and Samuele Telari, with funding from Beauftragten der Bundesregierung für Kultur und Medien as part of NEUSTART KULTUR
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expanse (2022, rev. 2023), 8 players: bass clarinet, baritone saxophone, electric guitar, piano, violin, viola, cello + double bass, 10’30”
commissioned by Ars Nova Ensemble Instrumental + The Riot Ensemble (Diaphonique)
same but different (2021), two acoustic guitars (one prepared), 10′
commissioned by the Royal Philharmonic Society for the Miyabi Duo as part of RPS Composers Programme 2020/21
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Points of Intersection (2020), string quartet + trombone, 10′
commissioned by the Aurora Orchestra (RVW Trust)
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Piece for three tuned cowbells (2019) percussion duo (three tuned cowbells), 10′
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Colour Catalogue: Whites (2018), flute, bass clarinet, cello, 14’45”
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Shifting (2018), baroque flute, clarinet, viola, double bass, 12′
sounds which grow richer as they decay (2017), two tenor trombones + prepared harp (amplified), 8′
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Reordering the Unconsumed (2016/ 17), two cellos, 5’30” (live with video, but can be played without video)
video: Geoffa Fells (with thanks to Lawrence Jay Pearson, Sophie Clements & Paolo Catalano)
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LARGE ENSEMBLE
moss-covered wood (2022), afl+bfl.0.1.s sax+a sax.0 / 1.1.2.1 / perc (1), e.gtr, b.gtr, pno / 4 singers (S, MS, A, A), 3′
written for Orkest De Ereprijs’s Young Composers Meeting 2022
suspended in the air (2020), chamber orchestra, 1.1.1.1 / 2.0.2.0 / hp.cel / str (3.2.2.2.2), 8’30”
written on LPO Young Composers programme 2019/2020
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Reframe (2017/18), chamber orchestra, 1(AFl).1.2.0 / 1.2.2.0 / hp.pf / str (4.3.2.2.2), 7′
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VOCAL
burst flood wound (2021, rev. 2022), 6 voices (S, MS, Ct, T, T, B), 8′ 45″
commissioned by Kölner Philharmonie (KölnMusik) for EXAUDI
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Kite (Dymchurch) (2021), soprano, clarinet, prepared harp, double bass, 8′
commissioned by Wigmore Hall for The Hermes Experiment
Warum (2018), SATB choir
commissioned by Musarc
Landscape Fragments (2015), 6 voices (S, MS, Ct, T, Bar, B), 8’30”
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Binding (2015), alto flute, clarinet, acoustic guitar, mezzo-soprano, viola, piano, 4’30”
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paper wings (2015), 6 voices (open scoring), 4′
commissioned for the CoMA Partsong Book (published by Peters Edition and edited by James Weeks). More info here
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ACOUSMATIC
breathing-space (2021), 9’36”
written for Clouds and Tracks, Audio Circular 1
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INTERDISCIPLINARY
there it lies and there it must stay (2019), audiovisual + live piano, 10′
visuals: Amy Dang; title from POEM by Jean Launert
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Breathing bones (2018), audiovisual, 12’30”
choreographer/ videographer: Chan Sze-Wei
Reordering the Unconsumed (2016/ 17), video + two cellos (live), 5’30”
video: Geoffa Fells (with thanks to Lawrence Jay Pearson, Sophie Clements & Paolo Catalano)
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